Recent Work + Upcoming Art

June 27th, 2009

Bustamante/Mateik at HOT! Festival

This is a flyer I did on the quick for Nao. I wanted to put it up because this will be an amazing show! I love Nao’s cutting edge filmformance, and Tara’s work always raises really smart questions about gender in an engaging and humorous way. Click the image to get more info or buy tickets.

Viable Careers: Professional Hoaxer

June 24th, 2009
from alanabel.com

from alanabel.com

I just watched Abel Raises Cain, a hilarious documentary about a professional hoaxer on Hulu.com. Native New Yorkers might know Alan Abel (since many of his hoaxes were played out on NY television and radio stations), but I wasn’t familar with him. He’s a precursor to Rev. Hugh, Joey Skaggs, the Yes Men, the Church of the Sub-genius and Sasha Baron Cohen. One of his early campaigns was as founder of an organization called the Society for Indecency to Naked Animals which advocated for clothing all naked creatures longer than six inches.

#fail: Leveraging Social Media Effectively

June 15th, 2009

Mainstream news media run the risk of being ignored to death.

They are shrinking not because they are no longer profitable, but because they are adapting to new technologies and the internet so tentatively while ignoring the basics. And readers are finding them less and less relevant as new media sites mature.

They see themselves as newspapers with a website, not a web/print news outlet. Or they choose scandal and sensationalism over depth and understanding as a way to attract higher ratings. Worse yet, they scale back their offerings to maximize their advertising revenue. Meaning less hard news for viewers like me.

In contrast, PBS’s website gets over 200 million page views per month precisely because they have chosen a different path. PBS opts for depth – creating comprehensive web pages linking to digital versions of (text/video/audio) historical documents, and providing background for the issues they cover on television.

Corporate journalism desperately needs to regain its currency and its self-respect. No democracy can survive without an informed electorate. News outlets need to fulfill their responsibility by bettering the quality of their product, and by using new technologies in a smarter and more considered way.

Blogs have evolved from online diaries into an indispensable and multi-varied web format. Blogs are perspectival; seeing the world through the likes and dislikes of the author, and form affinity groups around a subject. Readers expect to have some way to interact on a blog. They don’t expect objectivity as much as they do a personal voice.

More news outlets should consider having a high-profile journalist be their point person on a select subject, giving them the resources and support to moderate and maintain a living, growing home for their topic. Someone who has demonstrable mastery of their subject. Think Juan Cole curating/moderating a multi-media, multi-author blog solely focused on the Middle East with video updates broadcast on CNN.

News orgs should be creating issue-based websites – reporting all there is to report about Sudanese pirates, or Swine flu or health care reform. Let it become a continuously growing storehouse of information, moderated by a demonstrable, and universally recognized expert, or group of objective experts who are more concerned with accuracy than spin. Give it maps and interviews (audio and video), graphs and archives. Have the same host synopsize the same information in traditional media outlets, and give it some attention.

Too often media outlets are using new technologies in either a “me too” way, or in ways that don’t make sense. I don’t want to read about reality stars on a news page. To me, it’s off topic, not synergistic.

As I write this post, the Iranian post-election drama is rapidly playing itself out. Twitter’s #iranelection is for now the g0-to place to find out what is happening inside the country from a first person perspective. The Huffington Post is also doing a decent* job of covering events by setting up a blog page with frequent updates, but you can’t beat the immediacy and unfiltered quality of hundreds of tweets directly from residents of Tehran.

Part of what makes Twitter as a media form so vibrant is a user’s ability to simultaneously and organically create hash tags, like #iranelection as a way of tagging a post. As more and more people adopt the same tag to discuss a subject, a community forms. To me, it feels like getting SMS messages aggregated into RSS feeds grouped automatically by subject.

Another example of the power of social media comes from Josh Micah Marshall’s Talking Points Memo. During the Bush Administration, the government often did document dumps of potentially embarassing information on a Friday night, which meant that a working journalist had to either sacrifice their weekend to wade through reams of paper, or wait until Monday to start making sense of it.

As a way to combat this tactic, TPM has at various times asked its loyal readership on a Friday night to help then comb through a huge amount of information. Readers have responded enthusiastically, filling the blog’s comments section with thousands of posts offering excerpts and page numbers from the documents in question.

For a small operation, having an instant volunteer research team  saves an immesurable amount of time and money, and as a consequence, TPM has been able to digest huge amounts of info and formulate a coherent story about the contents far earlier than any corporate media outlet.

In the past few days, another hashtag, #cnnfail has been popping up quite a bit on Twitter in relation to their coverage of the Iranian elections. Though this may just be a perception, people interested in this topic felt that CNN’s coverage fell short, in part by not covering events fast enough. There is an inherent danger to adopting a technology but then using it badly.

Don’t misuse your media:

  • Tweets are great for quick alerts and can be used to give recievers a link to a just-published article.
  • Blogs themselves are better suited to the drip, drip, drip of an unfolding story, as long as viewers can easily search through past articles (use tags!). Having a strong narrative voice in posts, making sense of the various threads of an issue, is also highly important.
  • Blog comment sections, when focused, can be a great way to track and coordinate collaborative efforts. Excellent way to fact-check.
  • Web galleries are essential for articles about visually interesting subjects. Having a text-only report about a new architectural wonder or fluorescent monkey is inexcusable.

*Where the Huffington Post Iran blog falls short is by not having a persistent sidebar with pictures, a concise history of Iran and the government’s structure or even a link to Wikipedia. As time passes, this page will just become another overwhelmingly long and unreadable document.

New art-related video

June 12th, 2009

Department of Eagles, “No One Does It Like You,” 2009 – MOMA

Department of Eagles’ “No One Does It Like You,” produced by the Directors Bureau, directed by Patrick Daughters and Marcel Dzama, and featuring costumes and sets designed by Dzama. More MOMA videos here.

Banksy show opens in Bristol. Watch the trailer at his website.

The Warhol has a new exhibition opening June 13th entitled Warhol Live. Video of the pinball machines at the entrance (as well as video of the Silver Cloud installation) is online here.

What Would Jesus Wear?

June 11th, 2009
Free Rev. Hugh t-shirt

Free Rev. Hugh t-shirt

Free Rev. Hugh t-shirts at Cafe Press. Part of Rev. Hugh’s efforts to raise awareness of his status as a political prisoner.

Tomogotchi Update

June 3rd, 2009

A few posts back, I wrote about the Transgenic Tomagotchi project that I’ve been working on with Kathy High. The exhibit in Berlin was a success, and we are now ready to release TransTomagotchi 1.0: The De-Beta-fying into the wide, wide world.

We were recently awarded a grant to continue developing the project, so look for TransTomagotchi 2.0: The Grant-ening sometime this fall. Lengthening gameplay is first on our list, but what do you think? If you’ve explored version one of the Transgenic Tomagotchi, and have any comments or suggestions, feel free to leave them using the Comment-O-Tron on this page.  Thanks!

New website progress

May 23rd, 2009
About page, still image

About page, still image

Still image from a new Flash website I’m building for Brooklyn-based designer Lopeti Etu. The fruit sways in the wind, insects crawl and fly around and a butterfly flits around seemingly randomly. I’ll post a link when the site is finished.

If you’d like to see more of Lopeti Etu’s kick-ass work, check out the hats at Selima.

Taking tomogotchi to a new place…

May 1st, 2009

Some of the icons I’ve illustrated in recent weeks for a Flash-based project, TransgenicTomagotchi, which Kathy High and I have been working on for the Becoming Animal, Becoming Human show in Berlin. I’ll post more info and a link later this month.

Update II

April 27th, 2009
New Slowburn Inc. gallery

New Slowburn Inc. gallery

I’ve rebuilt Slowburn Inc. in Second Life and added more of the Long Story series to the first floor gallery. Click this link to teleport to Grahica and check it out.

Update (long overdue)

March 16th, 2009

Apologies all around for the lack of updates. In the past few months, I’ve changed coasts, left my previous job at Zeum, and have re-established myself in Brooklyn, NY. Not as drastic as it might sound, especially considering that I’ve made five major moves since 2001. 

Long Story (detail)

Long Story (detail)

Part of the impetus for this most recent move is that I’ve been working on a painting series, Long Story, since 2003, and it’s finally reaching a point where I’m looking for venues to show it as a work in progress. The series (at this point) is comprised of 66 squares, 5×5″ in oil paint on wood, though I ultimately plan on having over one hundred images. 

I am very interested in narrative, and created this series as a way to explore fractured narrative in a visual form. As a companion piece to this series, I plan on developing a Flash-based interface which allows viewers to re-arrange the order of the individual squares, print out their own composition, and/or upload the arrangement to a host gallery so that individual viewers can “curate” the work. Each square is velcro-backed for easy rearrangement. 

If readers know of any gallery spaces with large walls in the NYC area, I would appreciate it if you would drop me a line, dballuff at gmail.